Unlocking the Dancer Within
As I step into the studio, the familiar hum of the music and the rhythmic tapping of feet against the hardwood floor immediately transport me. This is my sanctuary, a place where I can shed the worries of the outside world and immerse myself in the pure joy of movement. Whether it’s the graceful lines of ballet or the infectious energy of jazz, dance has a way of unlocking the artist within me, allowing me to express myself in ways words simply cannot.
Growing up, I was the quintessential “turtle in a shell” – introverted and hesitant to step out of my comfort zone. But dance has transformed me, pulling me out of my shell and into a world where I thrive on the energy of collaboration and the confidence that comes from mastering new skills. As I’ve progressed in my dance journey, I’ve learned that the true power of this art form lies not just in the technical perfection, but in the ability to integrate the structured disciplines of ballet with the free-flowing expressiveness of jazz.
Balancing Precision and Passion
One of the most inspiring moments for me as a dancer was when I first encountered a teacher who could seamlessly blend the technical aspects of dance with the artistic, emotive side. I vividly remember the day I heard Jackie Pederson-Kriens, the owner of Dance Gallery, speak about the transformative power of dance. She said, “The dance world has a place for you no matter what.” Those words resonated with me, as I had struggled to reconcile the external focus on technique and form with the internal, passionate connection I felt to the art.
It was in college, when dance became less about mirroring the perfect shape and more about tapping into the innate artistry within, that I truly began to understand the balance between precision and passion. The process of “breaking down to build up” – stripping away the layers to rediscover the essence of movement – was both challenging and eye-opening. I realized that the technical mastery was not an end in itself, but a foundation upon which I could layer the emotional and expressive elements that make dance truly come alive.
The Pioneering Spirit of Dance Theatre of Harlem
As I immerse myself in the world of musical theater, I am constantly reminded of the trailblazing work done by companies like Dance Theatre of Harlem. In the midst of the civil rights movement, Arthur Mitchell and Karel Shook had the vision to create a haven for dancers of all backgrounds, challenging the exclusivity that had long plagued the classical ballet world.
What started in a humble converted garage in Harlem grew into a company that would leave an indelible mark on American dance. Mitchell, the first African American principal dancer at the New York City Ballet, recognized the power of dance to transcend racial boundaries and empower marginalized communities. By relaxing the dress code and welcoming students from all walks of life, he created a space where the “artist within” could flourish, regardless of one’s perceived limitations.
The early years of Dance Theatre of Harlem were a testament to the transformative power of inclusion. As founding member Virginia Johnson recalls, “In that first company we were an extremely diverse group of people – Asian, Mexican, Black. I think the first white dancer didn’t come until 1970.” Yet, the focus was never on making a “black ballet company,” but rather on celebrating the fact that this “beautiful art form actually belongs to and can be done by anyone.”
Embracing Diversity, Cultivating Artistry
The legacy of Dance Theatre of Harlem resonates with me deeply, as I witness the ever-evolving landscape of the performing arts. In an age where technology and digital media have revolutionized the way we consume and engage with art, the live experience of dance holds a unique and powerful allure. But with a generation of young dancers who may not have had the opportunity to see “brown ballerinas” gracing the stage, the task of rebuilding that sense of inspiration and representation becomes all the more crucial.
As a teacher, I see it as my mission to create an environment where every student feels welcomed, accepted, and empowered to explore their artistry. I take great joy in witnessing the transformation that happens when a student who may have once been “a turtle in a shell” suddenly blossoms with confidence, ready to take on the world. It’s not about forcing them into a pre-determined mold, but rather helping them discover the unique gifts they have to offer.
One of the most important lessons I’ve learned is the value of positive reinforcement and the power of seeing oneself reflected in the successes of others. Whether it’s calling out a student who might normally fly under the radar or sharing the stories of trailblazing artists like those at Dance Theatre of Harlem, I strive to cultivate a sense of belonging and inspire the next generation to dream big.
The Future of Integrative Dance
As I look to the future of the performing arts, I can’t help but feel a sense of excitement and possibility. The rich tapestry of dance, with its diverse styles and traditions, offers an endless canvas for artistic expression. By embracing the integration of disciplines like ballet and jazz, we have the opportunity to create something truly transformative – a synergy of technical mastery and unbridled creativity.
I envision a world where dance education is not just about producing technically proficient dancers, but about nurturing well-rounded artists who can draw from a deep well of experiences and perspectives. A place where the Sioux Falls dance community continues to thrive, with studios and organizations collaborating to provide a multitude of performance opportunities and fostering a spirit of mutual respect and support.
And perhaps, one day, we’ll see the realization of a dream – a dedicated performing arts school that can serve as a hub for the next generation of dancers, actors, and musicians. A place where the boundaries between disciplines blur, and the focus is on cultivating the artist within each individual, regardless of their background or perceived limitations.
As I step back into the studio, the familiar music swells, and I feel a surge of energy coursing through me. This is where I belong, where I can shed my worries and immerse myself in the pure joy of movement. And as I guide my students through the intricate steps, I know that I am not just teaching dance – I am unlocking the artist within, empowering them to express themselves in ways they never thought possible.
Welcome to the world of Musical Theater Center, where the integration of ballet and jazz is just the beginning of a transformative journey into the heart of the performing arts.
